No |
Author |
Title |
Journal |
288 |
김지윤
|
Hysteric Subaltern Modernists: James Joyce, Yun Dong-ju, and Us |
비교문학 83 |
287 |
송우진
|
Western Expectation of National Allegories in Korean Cinema: (Post-)Colonialist Embodiments in Burning (2018) and Parasite (2019) |
문학과 영상 21.3 |
286 |
김지윤
|
Hong Kong’s Identity Crisis in Two Different Mourning: The Secret (1979) and “Losing the City” (1994) |
문학과 영상 21.2 |
285 |
유현빈, 이석재
|
A Study on English Vowel Duration with Respect to the Various Characteristics of the Following Consonants |
말소리와 음성과학 14.1 |
284 |
황수현
|
Oidipon Kakon: Deconstructing the Gendered Biopolitics of Antigone |
영미문학페미니즘 30.1 |
283 |
남희정
|
Thanks to Biden, But No Thanks to Trump: An Analysis of Representations of Biden and Trump in the Democratic Party’s Official Commentary |
언어사실과 관점 2022.55 |
282 |
Zhu Jing
|
Divine or Devilish: Power behind 'Mother' in the Sci-fi Horror Alien (1979) |
영화 연구 91 |
281 |
유현빈
|
한국어 뉴스 인터뷰 대화에서 나타나는 관계 설정의 전환(footing shift) |
The Sociolinguistic Journal of Korea 30.1 |
280 |
정준영
|
Victim or Villain? The Racist and Homoerotic Corruption of the Anti-Hero, Iago in Othello |
人文科學 |
279 |
유현빈
|
Measuring Lexical Sophistication in Written and Spoken Production by EFL Learners |
The Journal of Linguistic Science 100 |